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[S431.Ebook] Ebook Download Never Come to Peace Again: Pontiac's Uprising and the Fate of the British Empire in North America, by David Dixon

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Never Come to Peace Again: Pontiac's Uprising and the Fate of the British Empire in North America, by David Dixon

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Never Come to Peace Again: Pontiac's Uprising and the Fate of the British Empire in North America, by David Dixon

Prior to the American Revolution, the Ohio River Valley was a cauldron of competing interests: Indian, colonial, and imperial. The conflict known as Pontiac’s Uprising, which lasted from 1763 until 1766, erupted out of this volatile atmosphere. Never Come to Peace Again, the first complete account of Pontiac’s Uprising to appear in nearly fifty years, is a richly detailed account of the causes, conduct, and consequences of events that proved pivotal in American colonial history.

When the Seven Years’ War ended in 1760, French forts across the wilderness passed into British possession. Recognizing that they were just exchanging one master for another, Native tribes of the Ohio valley were angered by this development. Led by an Ottawa chief named Pontiac, a confederation of tribes, including the Delaware, Seneca, Chippewa, Miami, Potawatomie, and Huron, rose up against the British. Ultimately unsuccessful, the prolonged and widespread rebellion nevertheless took a heavy toll on British forces.

Even more devastating to the British was the rise in revolutionary sentiment among colonists in response to the rebellion. For Dixon, Pontiac’s Uprising was far more than a bloody interlude between Great Britain’s two wars of the eighteenth century. It was the bridge that linked the Seven Years’ War with the American Revolution.

  • Sales Rank: #1573398 in Books
  • Brand: Brand: University of Oklahoma Press
  • Published on: 2005-05-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.40 pounds
  • Binding: Hardcover
  • 384 pages
Features
  • Used Book in Good Condition

Review
“A thoroughly researched and detailed narrative of one of the great military conflicts of early America.”—Colin G. Calloway, author of New Worlds for All: Indians, Europeans, and the Remaking of Early America

“Dixon vividly recreates the conflict’s dramatic events such as the siege of Detroit, the surprise and capture of a half-dozen smaller British posts, and the battle at Bushy Run.”—American Historical Review

About the Author

David Dixon was Professor of History at Slippery Rock University, Pennsylvania. He is the author of the award-winning book Hero of Beecher Island: The Life and Military Career of George A. Forsyth.

Most helpful customer reviews

1 of 3 people found the following review helpful.
Great History
By Tim
This is a well written historical account of Pontiac's War, from an author who has just recently passed away. Highly recommend.

8 of 8 people found the following review helpful.
Excellent book on "Pontiac's War" with the British
By J. Groen
Finally, the third book that I have read on Pontiac's war with the British is a charm. Unlike one book that was a historical novel, and somewhat fantastic in its portrayals of what happened, and a more recent book that was a boring scholarly read, this one is believable, with many sources identified, and interesting to read. Some new ideas were also brought to light for me in reading this book. First, although this is known as Pontiac's War, Pontiac only led the attacks and siege of Detroit. And, this part of the war was not successful. He had no involvement with the taking of the other British forts, and towards the end of the war, he was despised by his fellow Indians, resulting in his murder at a young age. Second, at the end of this war, an uprising of settlers in the Allegheny region occurred that was a precursor to the American revolution. This occurred as a direct result of Pontiac's War showing the connection between this war and the Revolution. One of the highlights of the book is the battle of Bushy Run where Bouquet with a tired and sick army is attacked by the Indians, but through trickery defeats them, resulting in the only defeat of an Indian army by the British. There are a lot of these interesting anecdotes in this book highlighting a book that is well worth the read for an individual interested in the colonial period and the wars with the Indians.

11 of 11 people found the following review helpful.
Pontiac's Uprising Still of the Highest Significance
By Brady Crytzer
Between the French and Indian War and American Revolution exists, in the minds of most, a period of inactivity, a veritable dark age of United States history. That statement could not be farther from the truth as seen in David Dixon's tour de force account of Pontiac's Rebellion entitled Never Come to Peace Again: Pontiac's Uprising and the Fate of the British Empire in North America. Following seven years of conflict between the British and the French in the theatre of North America, Dixon argues that colonists were driven to a desperate call for revolution after three more vaunted years of Indian uprising.

Dixon uses the first chapter of his narrative monograph to describe the years leading up to Pontiac's Rebellion in the colonies, particularly highlighting the interactions between French, British, and Indian influences. Within the lengthy forty page chapter, Dixon successfully sets the table for Indian rebellion in his discussion of key events such as the Walking Purchase of 1737 and the young Virginian George Washington's journey into the Ohio River Valley. Influential characters on all sides including General John Forbes, Monacatootha, and Celeron de Blaineville.

The second chapter, entitled "A Colony Sprung from Hell," Dixon begins his analysis of the time period immediately following the Seven Years War and centers his narrative around several important geographic centers, most notably Fort Duquesne at the forks of the Allegheny, Ohio, and Monongahela rivers. Also during this section Dixon introduces, for the first time, Colonel Henry Bouquet. "Almost from the beginning of his service in America, Bouquet proved himself as a confidant and defatigable officer...He carefully detailed plans for conducting extensive campaigns in the wilderness..."(43)

Chapter three saw witness to the beginnings of a possible mobilization of forces against the potentially disastrous situation brewing in the American wilderness among its native tribes. Following a brief background on General Jeffrey Amherst, Dixon discusses the British military operations to Detroit as well as the Great Lakes region. "One might surmise that General Amherst would have been alarmed by the reports coming from the wilderness forst. After all, the few troops he had at his disposal were spread dangerously thin across the frontier."(100) It is not until chapter four that Dixon begins his examination of the Indian leader Pontiac and his call to arms for Indians to unite against their red-coated foes.

The fifth chapter is used to recount, in great, the true bore of Pontiac's Rebellion, particularly in the Pittsburgh area. Following the dispatch of Simon Ecuyer to command Fort Pitt, Seneca guerilla units systematically attacked a number of forts throughout Pennsylvania. Also the focus of the chapter was the beginning of Colonel Bouquet's doomed journey toward Fort Pitt, first traveling through Bushy Run Station. "The Bravest Men I Ever Saw," Dixon's sixth chapter, examined the Ambush at Bushy Run in great detail. It is in this section that Dixon claims "historians studying the Battle of Bushy Run have tended to downplay Bouquet's achievement..." (197) The final two chapters of Never Come to Peace Again explore the end of Pontiac's Rebellion and the subsequent events that followed. However, perhaps most fitting, is Dixon's subtle reiteration of his primary thesis, "They nourished deep-seated resentment not only against the Indians but also toward the provincial and imperial authorities that had failed to protect them. Buried deep inside this smoldering hatred and resentment lay the seeds of revolution."(243)

David Dixon was a true scholar and possessed a genuine passion for the intense study of history. A Professor of History at Slippery Rock University for nearly twenty years, Dixon acted as the curator and director of the Old Stone House, a nineteenth century pioneer inn located north of Butler, PA. After attending Slippery Rock University in pursuit of a B.S in secondary education and M.A in history, Dixon was awarded his Ph.D from Kent State University. Dixon is also the author of Hero of Beecher Island: The Life and Military Career of George A. Forsyth. Dixon passed away in July of 2008 and left a lasting legacy and a positive influence on both his students and colleagues.

Dixon cited a large number of primary and secondary sources in the completion of Never Come to Peace Again. Of the most notable, Dixon consulted the papers of several of his subjects including General Jeffrey Amherst and the letter of Colonel Henry Bouquet. When considering the newspaper that Dixon cited, the most prominent was the Pennsylvania Gazette. To better round out his use of sources, Dixon has also cited some French sources, particularly Les Sauvages Americains. Although there are some citations from secondary sources, the overwhelming amount come from original research done by Dixon.

Never Come to Peace Again is a triumph in the field of Colonial-Indian relations, particularly regarding warfare between the two rivals. While the period between the two wars is generally regarded as one of relative, uneventful peace, Dixon not only highlights the major conflict of the time period but places it into a sequence of events. In the way that he employs his sources and weaves his narrative, Dixon reinforces his primary thesis of rising discontent culminating at the end of Pontiac's Rebellion. As seen in Breen's Tobacco Culture: The Mentality of the Great Tidewater Planters on the Eve of Revolution, discontent for the British government arose in many more places than just the urban commerce hotbeds of Boston and Philadelphia. Dixon's account of the events in the Ohio River Valley and farther west to Detroit only serves to underscore the far reaching grasp of revolution on the American colonies.

By forming his research into a riveting and historically grounded narrative, David Dixon dispels a number of myths about the time period between the Seven Years War and the American Revolution. Following years of war, Dixon provides ample information to soundly support his thesis of colonial discontent erupting into calls for revolution at the end of Pontiac's Rebellion.

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[P799.Ebook] PDF Download When China Ruled the Seas: The Treasure Fleet of the Dragon Throne, 1405-1433, by Louise Levathes

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When China Ruled the Seas: The Treasure Fleet of the Dragon Throne, 1405-1433, by Louise Levathes



When China Ruled the Seas: The Treasure Fleet of the Dragon Throne, 1405-1433, by Louise Levathes

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When China Ruled the Seas: The Treasure Fleet of the Dragon Throne, 1405-1433, by Louise Levathes

A hundred years before Columbus and his fellow Europeans began making their way to the New World, fleets of giant Chinese junks commanded by the eunuch admiral Zheng He and filled with the empire's finest porcelains, lacquerware, and silk ventured to the edge of the world's "four corners." It was a time of exploration and conquest, but it ended in a retrenchment so complete that less than a century later, it was a crime to go to sea in a multimasted ship. In When China Ruled the Seas, Louise Levathes takes a fascinating and unprecedented look at this dynamic period in China's enigmatic history, focusing on China's rise as a naval power that literally could have ruled the world and at its precipitious plunge into isolation when a new emperor ascended the Dragon Throne.
During the brief period from 1405 to 1433, seven epic expeditions brought China's "treasure ships" across the China Seas and the Indian Ocean, from Taiwan to the spice islands of Indonesia and the Malabar coast of India, on to the rich ports of the Persian Gulf and down the African coast, China's "El Dorado," and perhaps even to Australia, three hundred years before Captain Cook was credited with its discovery. With over 300 ships--some measuring as much as 400 feet long and 160 feet wide, with upwards of nine masts and twelve sails, and combined crews sometimes numbering over 28,000 men--the emperor Zhu Di's fantastic fleet was a virtual floating city, a naval expression of his Forbidden City in Beijing. The largest wooden boats ever built, these extraordinary ships were the most technically superior vessels in the world with innovations such as balanced rudders and bulwarked compartments that predated European ships by centuries. For thirty years foreign goods, medicines, geographic knowledge, and cultural insights flowed into China at an extraordinary rate, and China extended its sphere of political power and influence throughout the Indian Ocean. Half the world was in China's grasp, and the rest could easily have been, had the emperor so wished. But instead, China turned inward, as suceeding emperors forbade overseas travel and stopped all building and repair of oceangoing junks. Disobedient merchants and seamen were killed, and within a hundred years the greatest navy the world had ever known willed itself into extinction. The period of China's greatest outward expansion was followed by the period of its greatest isolation.
Drawing on eye-witness accounts, official Ming histories, and African, Arab, and Indian sources, many translated for the first time, Levathes brings readers inside China's most illustrious scientific and technological era. She sheds new light on the historical and cultural context in which this great civilization thrived, as well as the perception of other cultures toward this little understood empire at the time. Beautifully illustrated and engagingly written, When China Ruled the Seas is the fullest picture yet of the early Ming Dynasty--the last flowering of Chinese culture before the Manchu invasions.

  • Sales Rank: #331183 in Books
  • Published on: 1997-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.13" h x .67" w x 9.25" l, .80 pounds
  • Binding: Paperback
  • 256 pages

From Publishers Weekly
Levathes, a former staff writer for National Geographic , here tells the story of seven epic voyages made by unique junk armadas during the reign of the Chinese emperor Zhu Di. These "treasure ships" under the command of the eunuch admiral Zheng He traded in porcelain, silk, lacquerware and fine-art objects; they sailed from Korea and Japan throughout the Malay archipelago and India to East Africa, and possibly as far away as Australia. Levathes argues that China could have employed its navy--with some 3000 vessels, the largest in history until the present century--to establish a great colonial empire 100 years before the age of European exploration and expansion; instead, the Chinese abruptly dismantled their navy. Levathes describes the political showdown that led to this perverse turn of events, revolving around a clash between the powerful eunuch class and Confucian scholar-officials. Her scholarly study includes a section on the construction of the seagoing junks (the largest had nine masts, was 400 feet long and would have dwarfed Columbus's ships) and provides a look into court life in the Ming dynasty, particularly the relationship between the emperor, his eunuch and his concubines. Illustrated.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
In the early 1400s China was poised to become the world's premier maritime power. Emperor Zhu Di (who also built Beijing's Forbidden City) planted vast orchards of tung trees to provide oil to seal his huge "treasure ships," which ranged the South China Seas and the Indian Ocean loaded with silks and porcelains traded for gemstones, coral, pepper, and the cobalt used to improve the very porcelains for which his Ming dynasty would become known. But due to shrinking funds, foreign aggressors, and the Confucian distrust of trade and prosperity, the Chinese abruptly abandoned shipbuilding and began their long plummet into isolationism. A former staff writer for National Geographic, Levathes writes history in the praiseworthy tradition of Barbara Tuchman. There are substantial notes and a bibliography of works in Chinese, English, and French. Highly recommended.
Jack Shreve, Allegany Community Coll., Cumberland, Md.
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
Levathes, a former staff writer for National Geographic, tells the tale of Chinese emperor Zhu Di and his favorite eunuch admiral, Zheng He, who tried during a 30-year period to break China's isolation with seven major naval expeditions to India, Indonesia, and Africa. Levathes writes popular history and therefore sprinkles her text with scene-setting and little digressions into everyday life in Ming China. The descriptions of the giant naval docks at Longjiang are fascinating, as is her account of the eternal intrigues between the eunuch faction and the Confucian bureaucracy at court. The eunuchs and merchants wanted trade, exploration, and capital venture; the Confucians wanted moderate taxes, isolation, and priority given to agriculture. The struggle between these outlooks dominated--and still dominates--China's dealings with the outside world. Zhu Di was with the merchants, and his fleets were veritable mercantile armadas, with boachuan (treasure boats) 400 feet long. Their principal destination was Calicut in Kerala, the only state that the Chinese did not regard as barbarian. From here they brought back spices, elephants, and the first eyeglasses from Venice. Having established Chinese domination of the Indian Ocean, Zheng seemed to be on the brink of ushering in an era of global Chinese imperialism and openness to the outside world. It was not to be. Zhu Di died in 1424 and was succeeded by his son Gaozhi, a devout Confucian who banned all naval voyages. A hundred years later, China had no navy and anyone caught even sailing on the high seas was summarily put to death. Levathes illuminates a historical crossroads: the century in which Western and Chinese expansion overlapped. She does not fully explain why one continued and the other did not, but she does expose one piece of the historical jigsaw puzzle, namely the root of the Chinese inability to open a door to the outside world. She does this entertainingly and with a minimum of dry analysis. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

105 of 111 people found the following review helpful.
"When China First, at Heaven's Command ..."
By John D. Cofield
This is an entertaining look at the voyages of Zheng Ho, a eunuch in the service of the Ming Emperor of China, in the fifteenth century C.E. China's navy was then the most powerful in the world, and Levathes helps us recognize this with some skillfully drawn comparisons between Zheng Ho's treasure ships (the largest wooden vessels ever built) and the puny Santa Maria. China was unquestionably the most advanced civilization in the world during Zheng Ho's time, and had the voyages been allowed to continue, resulting in permanent Chinese influence on and control of the Indian Ocean, Africa, and possibly America and Europe, our world today would be very different indeed. Levathes does a good job of explaining why Ming China decided to stop the voyages and its international trade, and points out that while Westerners tend to see this as a failure, to the Chinese at the time it seemed a success. This is probably the most valuable insight of the book, the illustration of a very wide gap between the psychological makeup of East and West.

34 of 35 people found the following review helpful.
Menzies and Levathes, read both
By Atheen
The book is an interesting one, compact but full of information. The first few chapters are actually dedicated to a brief overview of early Chinese political history. It discusses the ethnic mix of the country, the rise of a centralized state, the struggle among early dynasts for control of power, and ultimately the central characters involved in overseas exploration.

Unlike Menzies' 1421 A. D., Levathes' book focuses on China's rapport with countries closer at hand, concentrating on routes between China and SE Asia, India, and Africa. There is no attempt to integrate archaeological finds throughout the world with what is known of Chinese exploration activities, which leaves the author on much firmer ground from a historical standpoint. For most of her documentation she relies on government records, family histories, historical romances, and poetry, and these are outlined and discussed in some detail in the notes to the chapters. Although she speculates about early contact with North and South America, she does not make this the central focus of the book. In fact her primary theme seems to be the social and political causes of the sudden interest in the outside world and its equally sudden reversal.

While Menzies' book is more intriguing and examines the Chinese experiment with overseas exploration from the standpoint of a seaman and navigator, Levathes approaches it as a historian. 1421 A. D. gives one a sense of the wonder of exploration and its possibilities; When China Ruled the Seas makes sense of both its occurrence and its cessation. I'd recommend reading both.

68 of 76 people found the following review helpful.
History & cultural lessons
By Tony Watson
While the West was still dragging itself out of the Dark Ages, China had a thriving sea trade with India and Africa, and arguably with places as far off as South America and Australia, not to be beaten for hundreds of years.
There is an incredible amount of history here, most of it unknown in the West, which sets the scene for the building of a massive trading fleet by the eunuch Admiral Zheng He, and his subsequent voyages of exploration. At least one type of ship was 400 feet long, at the time when Columbus's ships were under 100 - about 50 times the capacity.
So what went wrong? What could stop such a powerful naval nation in its tracks? An Imperial Decree - forbidding sea voyages, considering them unproductive, uneconomic and, more importantly, un-Confucian - effectively shut the door on Chinese expansion and fostered the introversion that has only ceased in the last few years.
Ms.Levathes has uncovered information hidden for years to present this highly informative and unusual subject in a very accessible form, although I did find the similarity of the Chinese names slightly confusing, which made for heavy reading at times. However, it still gets *****.

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Jumat, 28 Oktober 2011

[A707.Ebook] Download PDF Visiting Feelings, by Lauren Rubenstein

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Visiting Feelings, by Lauren Rubenstein

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Visiting Feelings, by Lauren Rubenstein

Gold Medal, 2013 Mom's Choice Awards
b>Silver Medal, 2014 Nautilus Awards


Beautifully descriptive prose and delightful illustrations cultivate a message of mindfulness and emotional awareness to help children fully experience the present moment. Rather than labeling or defining specific emotions and feelings, Visiting Feelings invites children to sense, explore, and befriend any feeling with acceptance and equanimity. Children can explore their emotions with their senses and nurture a sense of mindfulness. Gaining this objectivity allows space for a more considered response to the feelings. Practicing mindfulness can also enhance many aspects of well-being, help develop insight, empathy, and resiliency.

  • Sales Rank: #14785 in Books
  • Published on: 2013-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 8.25" w x .50" l, .65 pounds
  • Binding: Hardcover
  • 32 pages

From School Library Journal
K-Gr 3—Through a poetic text, children are encouraged to identify and explore their emotions. "Do you have a feeling/that's visiting today?/Can you open your door/and invite it to play?/Can you ask what it wants,/and then check it out?" Readers are asked to embrace their feelings, to treat them like friends. Feelings are described through the use of similes and metaphors: "Is it sharp like stepping/on stones with bare feet?/Or smooth like ice cream-your favorite treat?" They are also personified: "Is it warm or cold?/Sour or sweet?/Does it shiver with fear/when the two of you meet?" The full-page, digitally created illustrations feature hand-painted textures and overlays. They have a dreamy quality as the feelings swirl around the youngsters in soft pastel colors. The end pages offer additional information for parents. The high-quality, appealing art will hold the attention of younger children, but discussion will be necessary for understanding this lyrical flow of moods. Paired with Wendy Cooper's A Is Amazing: Poems About Feelings (Frances Lincoln, 2013), the book has a lot of potential for teaching students how to describe their reactions to different situations. —Sandra Welzenbach, Villarreal Elementary School, San Antonio, TX

Review
Visiting Feelings presents an exquisite lesson in mindfulness and dealing with emotions by letting children know it s OK to feel however they may and simply embrace the experience. The book stresses that feelings are neither bad nor good, they just are. Welcoming your feelings in, and actually making friends with them, is the best way to learn more about yourself and what your emotions are trying to teach you. The lesson is simple yet deep and playfully accessible for children and adults alike. --AnxietyFreeChild.com

This lyrically illustrated beauty of a book is the doorway into accepting feelings that arise and accepting oneself for experiencing those feelings. From the first page through the last, a light-hearted, rhyming poem encourages the young reader to welcome and listen to feelings, as though they are visitors, inquiring into shape, color image,location in the body, and the origin of the feeling. In the author s note to parents, she includes activities adults and children can do together to increase meaning and connection between them, along with breathing and self-awareness exercises.
Written by a psychologist and yoga teacher, this book belongs on the shelf of everyone who serves children parents, grandparents, therapists, aunts, uncles and teachers. --LifeForce Yoga

A beautifully illustrated children s book; a soft poem that is a lullaby to children in preschool or primary grades that takes a mindfulness-based approach to the many feelings that children will experience...Visiting Feelings by Lauren Rubenstein, a clinical psychologist, and illustrated by Shelly Hehenberger is one of those books you can cuddle up and read with a child on the couch or before bedtime. - --Lily's Blackboard

A beautifully illustrated children s book; a soft poem that is a lullaby to children in preschool or primary grades that takes a mindfulness-based approach to the many feelings that children will experience...Visiting Feelings by Lauren Rubenstein, a clinical psychologist, and illustrated by Shelly Hehenberger is one of those books you can cuddle up and read with a child on the couch or before bedtime. --- Lily's Blackboard

From the Inside Flap
Beautifully descriptive prose and delightful illustrations cultivate a message of mindfulness and emotional awareness to help children fully experience the present moment. "Visiting Feelings" invites children to sense, explore, and befriend any feeling with acceptance and equanimity. Includes a "Note to Parents."

Most helpful customer reviews

31 of 31 people found the following review helpful.
BEST BOOK EVER!!!!!! =)
By A Customer
Our names are ashley and sara! we are twins and we read this book because our aunt and our favorite cousin showed it to us. It made us think about our feelings and we felt good after reading it. our grandpa just passed away and this book made us feel better about our feelings made it eisier for us to talk about it. We think lots of kids should read it because it will make them better understand their feelings!Instead of five stars, we would give it a million if we could! Thanks so much Lauren Rubenstien for writing this awesome book! we hope everyone will enjoy it as much as we did!!!!!!!!
:) Ashley and Sara (age 9)

19 of 19 people found the following review helpful.
Sweet poetic read..... More than that only through adult guidance
By jacj
Visiting Feelings is very aesthetic and inviting. The illustrations are bright, gender and ethnic inclusive, which definitely will hold children's attention.
About the content: The story line itself does not contain much educational information about feelings or how to express them... It is rather to be used as a tool to elicit feelings. (In the back, there are tips for adults on how to use the book: These are very useful)
Being a hospital chaplain, focused on child bereavement, I bought the book hoping to find a tool to help children express difficult feelings. I read it with my 12-year son using the language of the book to ask him how he felt inside. I was glad to see him interacting (he is very introverted) even thought the book seemed below his age bracket. Yet, I doubt he would have gotten much out of the book on his own.. .If the book is going to be more than a poetic sweet read for children, the parent must be proactive, lead the conversation, ask inviting questions using the language of the book....
In summary: A potential tool for conversation... And useful for visiting feeling only if guided by a parent or an adult

17 of 17 people found the following review helpful.
My new bedtime favorite
By A Customer
I like the book "Visiting Feelings" for many reasons. I like how it encourages you to imagine your feelings in a new way. I also enjoy it because it shows how to explore more in your feelings than usual. The book shows how to absorb your feelings and treat them with kindness. It is a great book for kids! Macy, age 10

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Selasa, 25 Oktober 2011

[Y539.Ebook] Download PDF 4'33" : John Cage centennial edition, by John Cage

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4'33

4'33" : John Cage centennial edition, by John Cage



4'33

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4'33

Cage, John 4'33' (Cage Centennial Editon) Instrumentation: any instrument or combination of instrumentsComposer: Cage, JohnDuration: 4 mins 33 secs Details: for any instrument, or combination of instruments4'33" is a three movement composition by John Cage in which the performer makes no intentional sounds for the duration of the piece: four minutes and thirty three seconds. It was premiered on August 29th, 1952 by David Tudor at the Maverick Concert Hall in Woodstock, New York. Cage's comments regarding the premiere and the audience's reaction hint at his intent in composing this work. "They missed the point. There's no such thing as silence. What they thought was silence, because they didn't know how to listen, was full of accidental sounds. You could hear the wind stirring outside during the first movement. During the second, raindrops began pattering the roof, and during the third people themselves made all kinds of interesting sounds as they talked or walked out." This is a special edition to mark John Cage's 100th Birthday! It includes all previously published versions of 4'33" - both typed and calligraphic versi, as well as the edition in proportional notation created for Irwin Kremen, to whom Cage had dedicated the piece.Please see also EP6777 and EP6777A

  • Sales Rank: #760075 in Books
  • Brand: Edition Peters
  • Published on: 2012
  • Original language: English
  • Dimensions: 10.98" h x .28" w x 8.46" l,
  • Binding: Paperback
  • 35 pages

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Minggu, 23 Oktober 2011

[L575.Ebook] Download The Miraculous Language of the Qur'an: Evidence of Divine Origin, by Bassam Saeh

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The Miraculous Language of the Qur'an: Evidence of Divine Origin, by Bassam Saeh

This study illustrates why the language of the Qur'an is miraculous, unique, and evidence of divine authority. The author compares the language of the Qur'an with the language of pre-Islamic poetry, the Prophet's words (hadith), and the language of the Arabs both past and present, to demonstrate that although the Qur'an was revealed in Arabic it was at the same time an Arabic which was entirely new. Original and early Muslim audiences viewed this as miraculous and responded to the Qur'an's words, sounds, rhythms, etc. in a manner consistent with a deeper appreciation of its beauty and majesty which modern ears, trained by familiarity, and despite being surrounded by all manner of dictionaries and studies, are at a loss to capture. The author attempts to remove this veil and present the Qur'an to readers as if hearing it for the first time, to bring to life some of this wonder. In doing so he guides readers to appreciate the beauty of the Qur'an, to become more immersed in it, and to have a clearer understanding of its structure and flow. Devoting special attention to Surah Al Muddaththir, to underpin his analysis, Saeh thus brings the Revelation to life, to demonstrate that each surah has distinct features and characteristics that make it stand out uniquely within the design and sweep of the whole.

  • Sales Rank: #491350 in Books
  • Published on: 2015-06-01
  • Binding: Paperback
  • 104 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Important book for college students
By Amazon Customer
It is a book I was looking for quite a while in English language. It requires some serious background in Arabic (at least at level of Access 3 from Bayyinah), however still the book fills a major gap in the English language. It brings more precision to the arguments on why do Muslims believe that Quran is from God and why those theories fail which tries to justify Quran as work of a human. More literature is needed along the lines of this in the English language, however this is a good start.

0 of 0 people found the following review helpful.
Five Stars
By Enrique Gonzalez-prats
quite unique work, but rather for scholars

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Rabu, 19 Oktober 2011

[H451.Ebook] Free Ebook The Handmade Loaf: The book that started a baking revolution, by Dan Lepard

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The Handmade Loaf: The book that started a baking revolution, by Dan Lepard

The Handmade Loaf is a collection of recipes, personal stories and photographs that capture the breads and home bakers of Europe. Over 80 recipes, many of which are inspired by the bakers profiled, look afresh at traditional methods and ingredients. Their blend of history and innovation will appeal to the experienced baker, but also to a generation ready to discover the simple pleasure of baking their first crisp loaf at home. Shot in real time, with bakers caught on film as the dough is mixed and the bread taken freshly from the oven, the photographs place the reader right beside the baker, showing the detail to help us understand perfectly how breads are created.

  • Sales Rank: #1624036 in Books
  • Published on: 2008-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .59" w x 7.99" l, 1.55 pounds
  • Binding: Paperback
  • 192 pages

Review
Tom Jaine, The Guardian book will be written on the subject for a few years to come." "It oozes knowledge, curiosity and love for its subject... I doubt a better Sheila Keating,The Times Magazine from grandmothers using ancient ovens to cutting-edge chefs." "(Lepard's) supreme skill is his empathy with people who bake, Jenni Muir, The Independent Review educational." the author's own step-by-step photographs are genuinely "As fresh and as mouth-watering as a loaf straight from the oven...

About the Author
Dan Lepard is the most talked about baker in Britain. He has baked for some of the country's top restaurants, including Locanda Locatelli, Zafferano and Alastair Little. He co-wrote Baking with Passion, the Baker & Spice Baking Book, published in 1999.For more information on Dan Lepard and the latest breadmaking trends from around the world, visit www.danlepard.com

Most helpful customer reviews

22 of 22 people found the following review helpful.
A Unique Book for a Specific Type of Home Baker
By Elizabeth
I gave this book four stars because I can't imagine going without it, but I would also check out an updated version from the library to see if there were major changes, and buy that one instead, if he were to revise it.

About me as a baker:

I have three books with bread recipes and frequently use online bread recipes. I've been baking for about six years now and bake at least weekly, often daily. Up until I bought this book, along with Hamelman's _Bread_, I had only baked yeast breads and had never used 100% whole wheat or rye (though I had done partially whole wheat breads). I bake by hand and I have only a glass Pyrex bowl, cookie sheets, a spritzer, a whisk, and a wooden spoon at my disposal. My goal when I bought these books was to learn to cook sourdough and with a variety of different grains, as well as to increase my general skill at bread baking.

What I liked about the book:

1. His instructions on how to build a sourdough starter are invaluable and worked perfectly for me. The pictures were a wonderful tool and hard to find elsewhere. You can see what it's supposed to look like as you go. He is very descriptive and clear.

2. His choice of recipes (breads from all over Europe and parts of ex-Soviet Asia) is delightful, in my opinion. Most, but not all, of the breads are sourdoughs, which are what most hand bakers in Europe and Asia use. There are some yeast breads including the good old Quick White Loaf. Between the 100% Rye, the Mill Loaf, the Rye with Coriander loaf (that literally got my husband's eyes misted over with memories of his school days in the Soviet Union), Brown Butter Picklets, and so on, I have staple and special breads to try and enjoy for the rest of my life.

3. His writing style is clear and you can tell he also writes for a living.

4. The pictures and narration of his travels and experiences add a lot to the book, in my opinion. I enjoyed hearing how and where he learned these recipes, and their history. The pictures of the bakers themselves are wonderful. I enjoyed the personal aspect of this book a lot.

What I did not like about this book:

To be honest, a lot of the recipes had to be modified to work for me. I had my oven professionally re-calibrated because some just were not working. I am not sure what it is about my personal idiosyncratic technique that does not jive with his, but while I get at least 95% of my new breads from Hamelman's _Bread_ and from the Internet right, I know that I'll need at least a couple of tries to get a Lepard bread right. This is tough because we bake bread to eat, not as a hobby. Some breads are very hit-and-miss for me, even now.

Sometimes, I had a hard time seeing how the recipe led to the picture in the book. For example (and I use this because the rye in particular did not work well for me in many instances, though it was amazing when it did work), his 100% rye picture shows a loaf with no evidence of having risen in flour. Yet, the instructions have the loaf rising in a floured cloth in a basket. I found that rising the loaf in a floured cloth dried out the crust prematurely and prevented oven spring. When I rose them in wet cloths, I found them to rise better.

I'm adding in a comment about the Dark crisp rye bread as well (p. 167). I was very excited to try this as we love knackerbrod. Despite my initial misgivings about the temperature and the bake time (425 F for 40 - 50 minutes), knowing that the light rye flatbreads were a mere 400 F for all of 25 - 30 minutes, I went ahead and followed the instructions to the letter, as I usually do the first time around. What a mistake. 30 minutes into the process, the bread was burnt to a crisp. It was black in several places. Now as I mentioned I've had my oven re-calibrated twice and I do not have this problem with other books. So if you do buy the version out right now, go ahead and lower the temperature and bake time on that recipe, and don't be afraid to tweak things ahead of time if they look a little off.

His method is VERY unique. He has decided (rightly, in my opinion) that a major mistake of hand bakers and new bread bakers is to end up using too much flour. Therefore, he has the baker kneading on a lightly oiled surface. This does NOT work out for me. Perhaps I'm too liberal with the oil, but it does seem to affect the formula, though I have gone so far as to wipe the surface clean after oiling, but before putting the dough on there.

He also uses a lot of short rests when preparing the dough, rather than one long mix and one long rest. This makes for some awesome results at times, but it is also difficult if you like to work in blocks. Of course, there are breads that can be prepared with fewer rests, but sometimes it is hard for me to do the knead, rest ten minutes, knead, etc. for the better part of an hour.

If you have improved your own technique as a baker and want to retain some of that knowledge, this will throw you for a loop in a good but challenging way.

I do wish I could give this book five stars, because it is so unique and invaluable. But I also think there are significant improvements that could be made. Until a newer version comes out, I would strongly recommend buying this one.

4 of 4 people found the following review helpful.
I attended a week long class on Artisan Bread Making.......
By Dennis G. Nelson
[...]
I asked the instructor what was the best book he would recommend and he said it was this book. It seems like every artisan baker has their own recipes, specific ingredients, and techniques that they swear by, (I guess that is why they call it "Artisan" Bread, (as there is no one way that fits all). But this author opened my eyes to methods that I truly did not know before and shows those methods with stunning photos and stories.

4 of 4 people found the following review helpful.
excellent book
By sy
Dan Leperd takes us to faraway places in forgotten times to bring us a treasure trove of authentic regional recipes. We are offered a tantalizing view of (before industrialization's) simple procedures used in bread making. I mean, where else will we find a recipe for "Cucumber pickle juice rye loaf?" (p.57) Excellent book to enjoy with a cuppa while planning out what recipes you want to try first.

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Rabu, 05 Oktober 2011

[D157.Ebook] Free PDF Gödel, Escher, Bach: An Eternal Golden Braid, by Douglas R. Hofstadter

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Gödel, Escher, Bach: An Eternal Golden Braid, by Douglas R. Hofstadter

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Gödel, Escher, Bach: An Eternal Golden Braid, by Douglas R. Hofstadter

Douglas Hofstadter’s book is concerned directly with the nature of “maps” or links between formal systems. However, according to Hofstadter, the formal system that underlies all mental activity transcends the system that supports it. If life can grow out of the formal chemical substrate of the cell, if consciousness can emerge out of a formal system of firing neurons, then so too will computers attain human intelligence. Gödel, Escher, Bach is a wonderful exploration of fascinating ideas at the heart of cognitive science: meaning, reduction, recursion, and much more.

  • Sales Rank: #1648 in Books
  • Color: Black
  • Brand: Hofstadter, Douglas R.
  • Published on: 1999-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 5.75" w x 1.25" l, 2.20 pounds
  • Binding: Paperback
  • 824 pages
Features
  • Music
  • Art
  • Mathematics
  • Meditation on Human Thought and Creativity
  • Artificial Intelligence

Amazon.com Review
Twenty years after it topped the bestseller charts, Douglas R. Hofstadter's Gödel, Escher, Bach: An Eternal Golden Braid is still something of a marvel. Besides being a profound and entertaining meditation on human thought and creativity, this book looks at the surprising points of contact between the music of Bach, the artwork of Escher, and the mathematics of Gödel. It also looks at the prospects for computers and artificial intelligence (AI) for mimicking human thought. For the general reader and the computer techie alike, this book still sets a standard for thinking about the future of computers and their relation to the way we think.

Hofstadter's great achievement in Gödel, Escher, Bach was making abstruse mathematical topics (like undecidability, recursion, and 'strange loops') accessible and remarkably entertaining. Borrowing a page from Lewis Carroll (who might well have been a fan of this book), each chapter presents dialogue between the Tortoise and Achilles, as well as other characters who dramatize concepts discussed later in more detail. Allusions to Bach's music (centering on his Musical Offering) and Escher's continually paradoxical artwork are plentiful here. This more approachable material lets the author delve into serious number theory (concentrating on the ramifications of Gödel's Theorem of Incompleteness) while stopping along the way to ponder the work of a host of other mathematicians, artists, and thinkers.

The world has moved on since 1979, of course. The book predicted that computers probably won't ever beat humans in chess, though Deep Blue beat Garry Kasparov in 1997. And the vinyl record, which serves for some of Hofstadter's best analogies, is now left to collectors. Sections on recursion and the graphs of certain functions from physics look tantalizing, like the fractals of recent chaos theory. And AI has moved on, of course, with mixed results. Yet Gödel, Escher, Bach remains a remarkable achievement. Its intellectual range and ability to let us visualize difficult mathematical concepts help make it one of this century's best for anyone who's interested in computers and their potential for real intelligence. --Richard Dragan

Topics Covered: J.S. Bach, M.C. Escher, Kurt Gödel: biographical information and work, artificial intelligence (AI) history and theories, strange loops and tangled hierarchies, formal and informal systems, number theory, form in mathematics, figure and ground, consistency, completeness, Euclidean and non-Euclidean geometry, recursive structures, theories of meaning, propositional calculus, typographical number theory, Zen and mathematics, levels of description and computers; theory of mind: neurons, minds and thoughts; undecidability; self-reference and self-representation; Turing test for machine intelligence.

From the Inside Flap
Winner of the Pulitzer Prize, this book applies Godel's seminal contribution to modern mathematics to the study of the human mind and the development of artificial intelligence.

About the Author
Douglas R. Hofstadter is College of Arts and Sciences Professor of computer science and cognitive science at Indiana University and author of the Pulitzer-prize winning "Godel, Escher, Bach: An Eternal Golden Braid".

Most helpful customer reviews

462 of 491 people found the following review helpful.
Way out of my comfort zone, but still great.
By frumiousb
I'm here to witness that even people as seriously math-challenged as I am can participate in this wonderful book. It took me a *long* time to read-- I flipped back and forth, beat the pages up, asked my more math-oriented friends for help. I spent forever trying to solve the MU exercise. It was worth it. I still feel like I understood parts of it only in intuitive flashes, but those flashes showed me a room more interesting than most of the well-lit chambers ordinary books provide.
Reading Godel, Escher, Bach is like joining a club. People who see you reading it will open spontaneous conversations and often gift you with unexpected insights. (I had a fascinating conversation with a total stranger about Godel's theorem.)
Wish I could give more than five stars.

225 of 241 people found the following review helpful.
A Profound Meditation On Human Creativity
By A Customer
Gödel, Escher, Bach: An Eternal Golden Braid debates, beautifully, the question of consciousness and the possibility of artificial intelligence. It is a book that attempts to discover the true meaning of "self."
As the book introduces the reader to cognitive science, the author draws heavily from the world of art to illustrate the finer points of mathematics. The works of M.C. Escher and J.S. Bach are discussed as well as other works in the world of art and music. Topics presented range from mathematics and meta-mathematics to programming, recursion, formal systems, multilevel systems, self-reference, self-representation and others.
Lest you think Gödel, Escher, Bach: An Eternal Golden Braid, to be a dry and boring book on a dry and boring topic, think again. Before each of the book's twenty chapters, Hofstadter has included a witty dialogue, in which Achilles, the Tortoise, and friends discuss various aspects that will later be examined by Hofstadter in the chapter to follow.
In writing these wonderful dialogues, Hofstadter created and entirely new form of art in which concepts are presented on two different levels simultaneously: form and content. The more obvious level of content presents each idea directly through the views of Achilles, Tortoise and company. Their views are sometimes right, often wrong, but always hilariously funny. The true beauty of this book, however, lies in the way Hofstadter interweaves these very ideas into the physical form of the dialogue. The form deals with the same mathematical concepts discussed by the characters, and is more than vaguely reminiscent of the musical pieces of Bach and printed works of Escher that the characters mention directly in their always-witty and sometimes hilarious, discussions.
One example is the "Crab Canon," that precedes Chapter Eight. This is a short but highly amusing piece that can be read, like the musical notes in Bach's Crab Canon, in either direction--from start to finish or from finish to start, resulting in the very same text. Although fiendishly difficult to write, the artistic beauty of that dialogue equals Bach's music or Escher's drawing of the same name.
As good as all this is (and it really is wonderful), it is only the beginning. Other topics include self-reference and self-representation (really quite different). The examples given can, and often do, lead to hilarious and paradoxical results.
In playfully presenting these concepts in a highly amusing manner, Hofstadter slowly and gently introduces the reader to more advanced mathematical ideas, like formal systems, the Church-Turing Thesis, Turing's Halting Problem and Gödel's Incompleteness Theorem.
Gödel, Escher, Bach: An Eternal Golden Braid, does discuss some very serious topics and it can, at times, be a daunting book to handle and absorb. But it is always immensely enjoyable to read. The sheer joy of discovering the puns and playful gems hidden in the text are a part of what makes this book so very special. Anecdotes, word plays and Zen koans are additional aspects that help make this book an experience that many readers will come to feel to be a turning point in their lives.
Like every other book written by Hofstadter, Gödel, Escher, Bach: An Eternal Golden Braid, has an index and a bibliography that must be noted as exceptionally well done.
Although filled with English wordplay, this book is in no way tied to the American origin of its author. For years, it was thought that Gödel, Escher, Bach: An Eternal Golden Braid, would be impossible to translate, but so far, it has successfully been translated into French, German, Spanish, Chinese, Swedish, Dutch and Russian.
A profound and beautiful meditation on human thought and creativity, this book is indescribably gorgeous and definitely one of a kind.

254 of 286 people found the following review helpful.
Escape from predestination
By Curtis L. Wilbur
It seems highly appropriate that Douglas Hofstatder should re-release his epic work now. His central theme plays so eloquently in this place and time: Every system folds in on itself, be it physics, mathematics, or any form of language. All these systems are inherently self-referential, and as such, take on a life of their own. A life their creators could never imagine. Many reviewers have focused on the explicit messages of the book, their likes or dislikes, but the great beauty of this work lies within the realm of what it does not say. It is, no doubt, the most difficult book I have ever read, and I have to admit it took me several false starts to finally get through the thing. It is so incredibly deep - one cannot simply wade through it like a sci-fi novel. But if you take your time, spend, say about a year on it - work through the TNT exercises, discover the hidden messages the author has left, read the bibliography - and at some point it will strike you; the incredible richness of the message. The book, you, the world, all of it IS open. The pages of this universe are blank, unwritten. Dr. Hofstadter has woven a message of eternal optimism, one that transcends even the infinite depth to the tapestry of topics spread before us: The great freedom that we, nature's most remarkable matrix, are part of a future without destiny. Even if we were created, any purpose impressed upon us is lost in a cacophany of unexpected relationships. Deterministic, yet infinitely complex and unpredictable. We can never understand anything completely, and thus every life can experience the magic of observing that which cannot be explained. This is a book of wonders, and you will never regret the time you spent on it.

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Minggu, 02 Oktober 2011

[Q767.Ebook] Download PDF The Commons, by Stephen Collis

Download PDF The Commons, by Stephen Collis

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The Commons, by Stephen Collis

Between the sixteenth and eighteenth centuries, most of the English common lands were enclosed—taken, by force, out of the hands of local collective use and privatized. The resistance to capitalism’s “primitive accumulation,” registered in recurring peasant revolts, failed to stem this tide of what we now call “privatization”—but it spilt over into Romanticism’s own advocacy of a kind of literary commons. Underground in “the literary” since the nineteenth century, the fight against enclosure resurfaces today amidst continuing capitalist accumulations and a renascent sense of the commons under globalization.

In The Commons we wander the English countryside with the so-called mad peasant poet John Clare, just escaped from an Essex asylum and walking the more than eighty miles to his home in Helpston; we pick wild fruit with anarchist Henry David Thoreau, also newly escaped from jail (for not paying his poll tax); and we comb the English Lake District, undermining William Wordsworth’s proprietary claim upon it, with a host of authors of Romantic Guides and Tours.

Resisting enclosure with each word, tearing down (intellectual) property’s fencing, wandering in search of new commons, new spaces outside property’s exclusive and excluding domain—The Commons veers in and out of history to find spaces of linguistic hope. What we have named, in less inspired moments, “allusion,” “borrowing,” or even (pretentiously) “intertextuality” is just this fact that poetry proves again and again: our languages are common. Shared. Un-enclosable.

The Commons is another installment of what Collis has called (half in jest) “The Barricades Project”—a broadly based, historically ranging test of the old adage that “poetry is the revolutionary act par excellence.” It includes Anarchive (2005) and will eventually continue in The Red Album. The Commons includes an introduction to “The Barricades Project,” written by Collis’ collaborators Alfred Noyes and Ramon Fernandez.

  • Sales Rank: #4847595 in Books
  • Brand: Brand: Talonbooks
  • Published on: 2008-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .37" h x 6.31" w x 8.97" l, .50 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Review
"Words like beauty, pleasure, and liberty do not sound hackneyed. Instead, their writing sounds synonymous with persistence. Collis is slightly off-step/beat, just out of range of any comfortable assumption, and a good shuffle away from clear understanding. This is not poetry that leads, but includes. It is a welcome philosophical divergence in popular culture."
— Prairie Fire Review of Books

About the Author
Stephen Collis
Stephen Collis is the author of four books of poetry, Mine (New Star 2001), Anarchive (New Star 2005), which was nominated for the Dorothy Livesay Poetry Prize, The Commons (Talonbooks 2008)—the latter two forming parts of the on-going “Barricades Project”—and On the Material (Talonbooks 2010).

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0 of 0 people found the following review helpful.
Green and Free
By Kevin Killian
In Vancouver recently I had the chance to meet poet and professor Steve Collis, author of a book of poetry I quite liked years back, ANARCHIVE, and now here comes its sequel, THE COMMONS--really more of a semi-sequel, even that dreaded word "prequel" since it takes place centuries before the Spanish Civil War setting of the earlier volume.

But neither book is bound by history in any but the most ad hoc and helpful ways. Here we encounter the British poet John Clare as he struggles to maintain his sanity in a time of increased privatization and its concomitant loss of freedom. Clare was mad, we take it, for good reason, with a Laingian sense of the real. As the public sphere shrinks, like shadows approached by the prick of noon, Clare's mental state correspondingly waxes and wanes. Around him predators assume strange shapes--geese, hatches, foundries. For Collis, the world of poetry is a place in which "the commons," a free place of exchange and mutual association, still maintains a parlous grip on imagination. I always like it when people use the expression "free reign" where we used to say, "free rein," perhaps because the age of riding horses has passed us by, while on the other hand more despots reign over us than ever, so we're familiar with the reign--"thievery governments" as Collis says in a poem later in the book. In any case he expands from Clare into a larger world of Romantic poets moving hither and yon in a tragic search for self expression in a world of centralized capital clotting together like cream in the sun.

With the English and Spanish milieux of his last two books, Stephen Collis is like Woody Allen laying down his favorite scenarios in European outfits. And maybe THE COMMONS isn't quite a gripping or involving as ANARCHIVE, but the pastoral always has a free and easy charm about it that some mistake for laissez-faire. Not so Steve Collis, who makes us hungry for more in this saga. His tutelary spirits here, Alfred Noyes and Ramon Fernandez, assure us that the poet will next take us to revolutionary Paris for THE RED ALBUM, and somewhere Scarlett Johanson is waiting for Woody's phone call telling her the part of Charlotte Corday is hers alone.

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