[S664.Ebook] Ebook Download Microwave Photonics (Optical Science and Engineering), by Chi H. Lee

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Wireless, optical, and electronic networks continue to converge, prompting heavy research into the interface between microwave electronics, ultrafast optics, and photonic technologies. New developments arrive nearly as fast as the photons under investigation, and their commercial impact depends on the ability to stay abreast of new findings, techniques, and technologies. Presenting a broad yet in-depth survey, Microwave Photonics examines the major advances that are affecting new applications in this rapidly expanding field.

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Fully illustrated with more than 300 figures and tables, Microwave Photonics offers a detailed, wide-reaching overview of the current state and future directions of this burgeoning technology.

• Sales Rank: #3572455 in Books
• Published on: 2006-12-07
• Original language: English
• Number of items: 1
• Dimensions: 1.09" h x 6.38" w x 9.08" l, 1.55 pounds
• Binding: Hardcover
• 440 pages

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[C244.Ebook] Free PDF For Whom The Bell Tolls, by Ernest Hemingway

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• Sales Rank: #3897972 in Books
• Published on: 1992
• Binding: Audio CD

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549 of 595 people found the following review helpful.
Still haunted by Hemingway
By Ron Franscell, Author of 'Morgue: A Life in Death'
"For Whom the Bell Tolls" was the first Hemingway I ever read. I was a high school kid in the early 1970s, working on my campus newspaper, newly graduated from Jack London but not yet ready for Jack Kerouac.
To my young eyes, it was a good action story: Robert Jordan, the passionate American teacher joins a band of armed gypsies in the Spanish Civil War. He believes one man can make a difference. The whole novel covers just 68 hours, during which Jordan must find a way to blow up a key bridge behind enemy lines. In that short time, Jordan also falls in love with Maria, a beautiful Spanish woman who has been raped by enemy soldiers. The whole spectrum of literature was refracted through the prism of my youth: Good guys and bad guys, sex and blood, life and death. For me, just a boy, the journey from abstraction to clarity was only just beginning.
Re-reading "For Whom the Bell Tolls" at 42 (roughly the age Hemingway was when he published it), I have lost my ability to see things clearly in black and white. My vision is blurred by irony, as I note that two enemies, the moral killer Anselmo and the sympathetic fascist Lieutenant Berrendo, utter the very same prayer. For the first time, I see that the book opens with Robert Jordan lying on the "pine-needled floor of the forest" and closes as he feels his heart pounding against the "pine needle floor of the forest"; Jordan ends as he begins, perhaps having never really moved. I certainly could never have seen at 16 how dying well might be more consequential than living well. And somehow the light has changed in the past 26 years, so that I now truly understand how the earth can move.
As a teen, I missed another crucial element, even though Vietnam was still a seeping wound. Three pivotal days in Jordan's life force him to question his own role in a futile war. He wonders if dying for a political cause might be too wasteful, but he ultimately believes that dying to save another individual is a man's most heroic act.
The book's title is taken from John Donne's celebrated poem: "No man is an Iland ... and therefore never send to know for whom the bell tolls; It tolls for thee." It was not about loneliness and aloneness, as I once had thought, but about the seamless fabric of all life: What happens to one happens to all.
I am not blind to Hemingway's flaws. He was a good short writer, and what was short was almost always better. Pilar's tale on the mountainside has been widely acclaimed as the most powerful of Hemingway's prose. Her story within a story is nothing less than a contemporary myth.
"For Whom the Bell Tolls" has also been regarded as Hemingway's capitulation to critics who barked that his innovative style was too lean, and as a consciously commercial exercise for which Hollywood might (and did) pay handsomely. Robert Jordan, in so many respects, was a tragic mythical hero in the vein of Achilles, Gawain and Samson. "For Whom the Bell Tolls" ranks as one of the great American war novels in a country that has always struggled with the concept of good and bad wars.

71 of 76 people found the following review helpful.
A Gripping, Sad, Interesting, and Worthwhile Story!
By Brad Hartman
This novel certainly deserves its billing as a "classic." The action takes place during the Spanish Civil War (of the 1930's), and the story follows a group of guerilla loyalists, who are fighting against Franco's fascist forces in the name of the Republic.
The entire novel only covers a span of three days, so the reader truly gets a sense of the time passing. Because of this, it feels as if the events are actually occurring as one is reading. Each moment is important, and there are few discontinuities in the story. Also, the novel is written in an interesting format where the climax doesn't occur until the final pages-this adds quite a bit of suspense. What really makes this book so excellent is the delicate combination of action and lull, and love and hate, which Hemingway builds into the story. There is a very beautiful (if only slightly unrealistic) love story carefully interwoven with murder, conspiracy, and disaster.
It is impossible not to deeply care for each individual in the story because there are few characters, and they are all extremely well developed. The reader can find a piece of somebody that he/she knows in every character. Hemingway also deals effectively with emotion. It is always easy to understand exactly what each person is feeling. With Robert Jordan, specifically, Hemingway uses a unique series of monologue-type passages so that the reader really can "get inside" Jordan's head. Somehow, Hemingway manages to do this while keeping out that uneasiness one gets when reading a play monologue. The novel has an anti-war feel to it, but it still contains several enthralling battle scenes. If only the love story were a bit more believable, this book could be truly fantastic. "For Whom The Bell Tolls" is definitely a worthwhile read right from the opening quote by John Donne all the way to the very last page.

8 of 8 people found the following review helpful.
Just too boring to stand.
By A. Dude
I imagine that the reputation of this book as a classic has others afraid to admit that it is truly terrible.

The book has a few, fleeting moments of absolute genius (El Sordo's fight, Pablo's first uprising, etc.), but overall the book is horribly boring and completely unrealistic, at least to any American who has perhaps never experienced early 20th century Spanish culture.

This entire book is basically a love story between main character, Robert Jordan, and Maria, set against the Spanish Civil War. What makes this so unrealistic is that the book takes place entirely over only three days, and at the beginning of the book Jordan and Maria have not yet met. So, in the course of just THREE DAYS, we are expected to believe that they go from complete strangers to in love in a way that defies comprehension. Not only is this unrealistic, but it is also SO BORING. There are literally entire chapters of just Robert Jordan and Maria telling each other how much they love each other.

This book is described as a war novel, but its only a war novel in the sense that it takes place during the war. There is very little actual war that happens in this book.

Basically, the book is boring. It was a struggle to get through, and I only finished it because my OCD forces me to finish books I have started. But I hated it.

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• Sales Rank: #4821622 in Books
• Published on: 2002
• Format: Audiobook
• Binding: Audio CD

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Business students often find business law modules challenging, irrelevant to their future career, and full of alien terminology and concepts. Introduction to Business Law demonstrates the relevance of key areas of the law to a world of work that the business student can relate to. It is written in an engaging and accessible style and the look and feel of the book has been developed to replicate the kind of textbook that a business student is familiar with, with structured featuresand illustrative diagrams. Covering all key topics addressed on business law modules and rigorously reviewed by subject area specialists, this textbook gives students the best chance of succeeding in their business law module. Clearly structured in five parts, Introduction to Business Law fosters a solid foundation in the key legal concepts of the English legal system, contract law, and negligence before discussing how the law affects the everyday workings of businesses and their employees from company formation to winding up and insolvency. ONLINE RESOURCESThe book is accompanied by a comprehensive Online Resource Centre offering several resources to support teaching and learning.Student Resources· 'Striking the right balance' Lucy Jones describes the plethora of learning features used in the book to help students engage with the subject· Suggested answers to end-of-chapter questions · Exam help· Flashcard glossary · Multiple choice questions · End of chapter summary documents Lecturer Resources· Additional assignment questions · Group exercises · PowerPoint slides for each chapter· Research exercises · Test bank of MCQs

• Sales Rank: #1875619 in eBooks
• Published on: 2013-06-06
• Released on: 2013-06-06
• Format: Kindle eBook

About the Author

Lucy Jones, University of Brighton

Lucy Jones is a senior lecturer in law at the University of Brighton.

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Drawing on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, this book explores the diverse, conflicted history of American art and architecture within the United States from the European voyages of discovery and colonial conquest to the present dawn of a new millennium. Thematically interrelating the visual arts to other material artifacts and cultural practices, it text examines how artists and architects produced artwork that visually expressed various social and political values. Covering the years between 1492 and 2002, chapter titles include The Invention and Mapping of America, Religious Rituals and the Visual Arts in Colonial America, Art and the Consumer Revolution in Colonial America, Revolutionary Icons and the Representation of Republican Virtue, National Identity and Private Interests in Antebellum America, Art and Commerce in the Gilded Age, Modernist Art and Politics, Modernism/Postmodernism and the Survival of a Critical Vision, and Globalization and the Culture Wars. For individuals interested in a survey of American art.

• Sales Rank: #141784 in Books
• Published on: 2004-08-23
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .80" w x 8.50" l, 2.90 pounds
• Binding: Paperback
• 512 pages

From the Back Cover

In this provocative, newly revised, and expanded survey, David Bjelajac punctures the idea of a uniquely American way of seeing or representation. Instead, he sifts painting, sculpture, architecture, photography, and contemporary new media within a broader material culture, documenting a visual history characterized by conflict and diversity—from European colonial settlement to the themed environments of Disney and art exhibitions in the aftermath of the September 11, 2001, terrorist attacks in America.

Though broadly chronological, the book is structured around various themes, such as the animating power of religious imagery in the seventeenth century, the cultivation of republican virtue in the eighteenth century, and a split national identity in the Civil War era. Later chapters document the rise of a conflicted Avant-Garde, the populism and public art of the Depression years, and Modernist art and Postmodernist pluralism during the Cold War. The book concludes with a new chapter on globalization and the culture wars from the 1980s to 2003. Famous works by established names such as John Singleton Copley, Benjamin Henry Latrobe, Mathew Brady, James Abbott McNeill Whistler, Georgia C)'Keeffe, Jackson Pollock, Judy Chicago, and Robert Gober are freshly interpreted next to vernacular imagery—a Masonic apron, an earthenware mug, a Quaker sampler, a satirical cartoon, or a labor union poster.

Dismissing the idea of art as a stately evolution of styles or "-isms", the author sees America's visual culture as an arena in which conflicting notions of class, gender, race, and regional allegiance are fought. Stepping outside traditional art-historical discourse, he launches boldly into the realms of politics, religion, science, literature, and popular culture in order to analyze individual art works within their specific historical contexts. Throughout, using generous quotations from primary sources, Bjelajac pays close attention to how contemporary artists, audiences, and beholders from different backgrounds have talked about specific works, the nature of art, and the artist's role in American society.

About the Author

David Bjelajac is professor of art and the human sciences at The George Washington University. He is the author of two monographs on Washington Allston, including Washington Allston, Secret Societies, and the Alchemy of Anglo-American Painting. He has contributed a chapter on "William Sidney Mount and the Hermetic Tradition in American Art" to The Visual Culture of American Religions (eds. David Morgan and Sally M. Promey).

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1 of 1 people found the following review helpful.
Insightful Cultural History
By Carl Schulkin
Professor Bjelajac offers a clear and reasonably concise interpretation of the place of the visual arts in the evolution of American cultural. His choice of illustrative examples is well explained and helps the reader get a good picture of the changing nature of the visual arts in the U.S. I was particularly impressed with his argument that the search for a distinctively American style, especially in painting and sculpture, is most important for the nature of the effort to create a distinctive style, rather than the actual achievement of one.

0 of 0 people found the following review helpful.
I purchased the book used and it arrived (not in good condition) as stated but fair condition
By alalexander
I think this is the hardest to read book ever written. I'm very interested in the subjects in the book but they could be presented in a more engaging way. This book is as dry as desert sand and very very hard to read. I purchased the book used and it arrived (not in good condition) as stated but fair condition.

10 of 27 people found the following review helpful.
Why did he write this book?
By David C. Tessman
The first and last chapters of this book make me wonder why the author actually decided to cover the subject. They show an increadible bias against the early colonists, Christianity, and western society in general. It makes me wonder why he wished to cover the topic of American Art History in the first place if he hates it so much. I also found his interpretations inaccurate on several occasions as he used scientific knowledge that would not have been known at the time the artwork was made.

He does, however have a very good selection of rare artwork and shows the mixing of diferent styles very well.

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American Art: A Cultural History, by David Bjelajac, King Pu Laurence PDF

American Art: A Cultural History, by David Bjelajac, King Pu Laurence PDF