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American Art: A Cultural History, by David Bjelajac, King Pu Laurence
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Drawing on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, this book explores the diverse, conflicted history of American art and architecture within the United States from the European voyages of discovery and colonial conquest to the present dawn of a new millennium. Thematically interrelating the visual arts to other material artifacts and cultural practices, it text examines how artists and architects produced artwork that visually expressed various social and political values. Covering the years between 1492 and 2002, chapter titles include The Invention and Mapping of America, Religious Rituals and the Visual Arts in Colonial America, Art and the Consumer Revolution in Colonial America, Revolutionary Icons and the Representation of Republican Virtue, National Identity and Private Interests in Antebellum America, Art and Commerce in the Gilded Age, Modernist Art and Politics, Modernism/Postmodernism and the Survival of a Critical Vision, and Globalization and the Culture Wars. For individuals interested in a survey of American art.
- Sales Rank: #141784 in Books
- Published on: 2004-08-23
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .80" w x 8.50" l, 2.90 pounds
- Binding: Paperback
- 512 pages
From the Back Cover
In this provocative, newly revised, and expanded survey, David Bjelajac punctures the idea of a uniquely American way of seeing or representation. Instead, he sifts painting, sculpture, architecture, photography, and contemporary new media within a broader material culture, documenting a visual history characterized by conflict and diversity—from European colonial settlement to the themed environments of Disney and art exhibitions in the aftermath of the September 11, 2001, terrorist attacks in America.
Though broadly chronological, the book is structured around various themes, such as the animating power of religious imagery in the seventeenth century, the cultivation of republican virtue in the eighteenth century, and a split national identity in the Civil War era. Later chapters document the rise of a conflicted Avant-Garde, the populism and public art of the Depression years, and Modernist art and Postmodernist pluralism during the Cold War. The book concludes with a new chapter on globalization and the culture wars from the 1980s to 2003. Famous works by established names such as John Singleton Copley, Benjamin Henry Latrobe, Mathew Brady, James Abbott McNeill Whistler, Georgia C)'Keeffe, Jackson Pollock, Judy Chicago, and Robert Gober are freshly interpreted next to vernacular imagery—a Masonic apron, an earthenware mug, a Quaker sampler, a satirical cartoon, or a labor union poster.
Dismissing the idea of art as a stately evolution of styles or "-isms", the author sees America's visual culture as an arena in which conflicting notions of class, gender, race, and regional allegiance are fought. Stepping outside traditional art-historical discourse, he launches boldly into the realms of politics, religion, science, literature, and popular culture in order to analyze individual art works within their specific historical contexts. Throughout, using generous quotations from primary sources, Bjelajac pays close attention to how contemporary artists, audiences, and beholders from different backgrounds have talked about specific works, the nature of art, and the artist's role in American society.
About the Author
David Bjelajac is professor of art and the human sciences at The George Washington University. He is the author of two monographs on Washington Allston, including Washington Allston, Secret Societies, and the Alchemy of Anglo-American Painting. He has contributed a chapter on "William Sidney Mount and the Hermetic Tradition in American Art" to The Visual Culture of American Religions (eds. David Morgan and Sally M. Promey).
Most helpful customer reviews
1 of 1 people found the following review helpful.
Insightful Cultural History
By Carl Schulkin
Professor Bjelajac offers a clear and reasonably concise interpretation of the place of the visual arts in the evolution of American cultural. His choice of illustrative examples is well explained and helps the reader get a good picture of the changing nature of the visual arts in the U.S. I was particularly impressed with his argument that the search for a distinctively American style, especially in painting and sculpture, is most important for the nature of the effort to create a distinctive style, rather than the actual achievement of one.
0 of 0 people found the following review helpful.
I purchased the book used and it arrived (not in good condition) as stated but fair condition
By alalexander
I think this is the hardest to read book ever written. I'm very interested in the subjects in the book but they could be presented in a more engaging way. This book is as dry as desert sand and very very hard to read. I purchased the book used and it arrived (not in good condition) as stated but fair condition.
10 of 27 people found the following review helpful.
Why did he write this book?
By David C. Tessman
The first and last chapters of this book make me wonder why the author actually decided to cover the subject. They show an increadible bias against the early colonists, Christianity, and western society in general. It makes me wonder why he wished to cover the topic of American Art History in the first place if he hates it so much. I also found his interpretations inaccurate on several occasions as he used scientific knowledge that would not have been known at the time the artwork was made.
He does, however have a very good selection of rare artwork and shows the mixing of diferent styles very well.
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